For anyone who has seen Anne Hathaway act in a movie, or perhaps co-host an awards show, it’s clear that she is a woman whose emotions run close to the surface. And considering the tools she’s been given to express those emotions—clear brown eyes, luminous skin, and a face that curls easily into a smile—it’s not hard to be seduced into feeling like you know what she’s thinking at any given moment.
It’s a testament, though, to Hathaway’s remarkable command of those tools that she has managed to parlay her early work playing earnest, endearingly clumsy girls thrust into modern-day fairy tale scenarios in films like The Princess Diaries (2001) and Ella Enchanted (2004) into the varied, complex career that she has now. Among other things, she has proven herself an adept character actress (as the emotionally tangled wife of a closeted cowboy played by Jake Gyllenhaal in Brokeback Mountain, 2005), a comedic whiz (as an aspiring journalist thrust into the world of fashion in The Devil Wears Prada, 2006), a dramatic powerhouse (as the drug-addicted, walking-disaster sister of the bride in Rachel Getting Married, 2008, a performance for which she received both Oscar and Golden Globe nominations), and a leading lady (reteaming with Gyllenhaal as a commitment-averse woman with early-onset Parkinson’s in Love & Other Drugs, 2010)—not to mention the closest thing her generation has to a full-blown acting, singing, dancing, tear-jerking, joke-cracking, mass-appealing entertainer.
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HATHAWAY: I am, actually. I just went through a phase where I wanted to look at it from every angle to make sure that I wasn’t just falling in step with some kind of prescribed fantasy. I watched this person who I love like a sister, and who has changed my life and continues to change my life for the better, who…